In the case of Gone Girl, it felt organic-y to start. As we started working on it, it felt like it could use the idea of orchestra, so we ended up using an orchestra for bits of it to layer in with what we’ve done, which was an interesting process. Dragon Tattoo was cold and icy, and that implied a certain subset of synthesizers that were more digital, lots of bells, lots of metal-y type objects. Before that, The Social Network felt like it wanted to be a nod to the more analog, video game-y type propulsive, maybe retro-y, back to the Eighties – even though the timeframe isn’t right – but the implication that it wanted to sound a little more sequence-y.Trent Reznor talking about scoring films. been listening to the Gone Girl soundtrack for the last few days and I cannot wait to see this in action.
"…that was too far."
Nick Miller is my spirit animal.
the new (and apparently final) Interstellar trailer.
this is going to be so intense. i am so excited.
Went from comedic to real as fuck in like 2 seconds
0 to 100 REAL QUICK.
new GOOD APPLE KD7s.
ugh, Nike keeps coming with the fire. i’m gonna go broke.
the trailer for Inherent Vice.
Paul Thomas Anderson can really do no wrong.
Broad City: FMK.
i need more synonyms for ‘flawless,’ y’all.
KORRA BOOK 4!
ugh so excited. this is legit the best show that Nickelodeon has and they treat it like shit, i can’t stand it.